By the end of the book, do you feel you’ve internalized Gottlieb’s voice? Pick one of your current dilemmas and imagine what she might say about it. After reading about Julie’s preparations for death, did you look up from the book and see the world any differently? Do you have a bucket list? Have you ever tried writing your own obituary? What have you learned from these exercises?ġ5. What helped you to make them? Do you recognize these stages?ġ4. Think about changes you’ve made in your own life. In Chapter 39, "How Humans Change," Gottlieb outlines one model of behavioral change and applies its stages to Charlotte’s case. How do you feel after you’ve learned something about someone in this way? Has it helped or hurt your relationships? What does this use of the internet reveal about us?ġ3. Lori Google-stalks Boyfriend and also Wendell-what problems does this cause in each case? Think about the Google-stalking you’ve done. Have you noticed a change in your own emotional health (or that of your loved ones) as our lives become increasingly digitalized? What do you do to offset the damaging effects of an online age?ġ2. Gottlieb notes that contemporary culture is rendering the ingredients for emotional health more elusive, such as real connection with others, time and patience for processing our experiences, and enough silence to hear ourselves.
Would you turn to therapy, religion, or another wisdom source to explore them? How might the guidance you receive from each source differ?ġ1. The ultimate concerns the psychiatrist Irvin Yalom identifies-death, isolation, freedom, and meaninglessness-are theological and philosophical concerns as well. Would you prefer one to the other? What does Lori learn from Wendell? How does her interaction with him change her own practice?ġ0. Compare Lori’s and Wendell’s styles as therapists. How was her story about herself holding her back and how does she revise it by the end of the book? How do her patients revise their stories about themselves? Have you ever had to rewrite your own self-narrative in order to move forward?ĩ. Gottlieb writes: "It’s Wendell’s job to help me edit my story"(115). In a funny moment in the book, Lori explains that while she’s surrounded by therapists-in her office, in her consultation group, in her friendships-she can’t find a therapist for herself because she needs the space of the therapy room to be "separate and distinct." How does Wendell’s reaction to Lori’s crisis differ from that of her close friends, including Jen, who’s also a therapist? How might our friends’ love for us make their way of soothing us less helpful in the long run?Ĩ. When do you see glimpses of someone’s soul? Given how much all of us share deep down in our psyches, how much do you think our souls differ? Could it be Lori’s very humanity-the parts of her that he himself relates to-that Wendell feels affection for?ħ. When Lori asks Wendell whether he likes her, he says that he does but not for the reasons she’s asking to be liked: he likes her neshama (Hebrew for "spirit" or "soul"). Is it reassuring or uncomfortable to see inside a therapist’s head? What was it like peering inside Gottlieb’s consultation group, when she and her colleagues are discussing a patient that the group suggests she "break up with"?Ħ. If you have a therapist, what do you think you want from him/her? Have you ever shared Lori’s experience, and that of her patients, of wanting to specific advice, or wondering what the therapist is thinking about you?ĥ. What does Gottlieb learn from each of her patients? In what ways does she identify with them? In what ways do you?Ĥ. Which patient’s arc resonates most for you?ģ. Revisit the four epigraphs that introduce each part of the book, and consider how they resonate with the stories of the patients we follow: John, Julie, Charlotte, Rita, and Lori herself. What does each term suggest about the person described and the therapeutic relationship?Ģ. In her author’s note, Gottlieb explains why she uses the term "patients" rather than "clients" in the book, though neither quite satisfies her.
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